Broadcast quality cameras

We use Panasonic broadcast cameras for media and event video productions.
This versatile camera family adapts easily to any production, small or large, capturing high quality vision. 
Find out more

4K stabilised video

Our videographers are experts in using gyro and gimbal aided cameras to produce smooth and stable HD and 4k vision for corporate and commercial videos.
Find out more

Cinematic look video

We are specialists in creating the highly sought after narrow depth of field ‘film look’ for features, music clip and highlight video productions.
Find out more

Panasonic P2 HD broadcast cameras

We use Panasonic broadcast cameras,which are some of the most versatile cameras available. They allow cost effective productions while offering 4:2:2 colour quality. That’s a big advantage when the footage needs to be colour corrected in post production or chroma keying (green screen) is required.

Our cameras offer wireless audio, exchangeable lenses and can be combined with a teleprompter.

Professional camera abilities:


  • Multi-Format (1080/60p/60i/50p/50i/25p/24p, 720/60p/50p/30p/25p/24p)
  • Full SDI-Out (HD video with embedded audio)
  • Synchro Shutter (eliminates flicker from lights, monitors or projection screens)
  • Exchangeable native HD lenses (e.g. 17x zoom with professional remote for camera operation)
  • Timecode In/Out (sync point for multi camera recordings)
  • Same chip set (consistent image look across all cameras)
  • Time Lapse and Slow Motion (variable frame rate from 2 frames to 10 minutes)

  Contact us today with your production requirements to receive your free quote.

4K quality stabilised video

3 axis gimbal stabilisation

Our ‘DJI Ronin SC’ stabilisation system allows smooth handheld motion video, similar to Steadicam applications but with a much smaller footprint. We capture vision up to 4K resolution. The set-up is very quickly assembled and provides a great solution for any piece to camera.

3 axis gyro stabilisation

Our Kenyon ‘KS-4×4′ 3 axis gyro resists directional change and brings stability by dampening out shakes and vibrations. We like to use this gyro in combination with heavier cameras, in particular for filming on boats, out of cars or from helicopters.

Showreel ‘Gyro stabilised DSLR’

Handheld footage comparison. 0’45”

  • First the compact Panasonic HPX-250 P2 camera without stabiliser
  • Followed by the Canon 60D with the attached Kenyon KS-4×4 gyro

Camera: Thorsten Joses


 We look forward to helping you with your next video project. Contact us today to discuss your goals.

Cinematic look video production

Features, music clips and highlight videos are mostly shot in a cinematic style. Thor Productions are specialists in creating this highly sought after narrow depth of field ‘film look’. We use large sensor cameras like Sony’s FS7 or FX6, DSLRs and other mirrorless cameras to achieve this within the available budget.

‘Film look’ for smaller video productions

Choosing the best camera for the job depends on the intended use of the video, the available budget and the workflow of the production.


  • DSLRs and mirrorless cameras can be a great choice for smaller budgets and Sony’s A7s cameras have the added advantage to work very well in extreme low light situations.

Showreel ‘Film look’

From footage shot for a documentary about the Sydney Conservatorium of Music. 1’14”

The filming equipment consisted of:

  • Broadcast video camera with DoF adapter
  • DSLR camera

The DSLR camera mainly provided support as a second locked off shot.

Camera: Thorsten Joses


 We would love to get involved with your project. Get in touch today!